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剧情简介

This@ l$ ong-!)/lost masterpiece=)` >"of ha
rd/,$core gay e,`"rotic cinema '
\center _s ?\o,n a hands-/ome . you n,.g stud who ]
rides his(% motor]`$_cy_cle th__ -r./'o \>%ugh +?my# riad *`sexu_& /al e'`n"c'?ounters, from a soccer g<ame’ s lock-er room ;
,to a pha])[ntasmagoric and deeply mel*a)_nch,(ol 'y$$$" orgy. ^#'(\A l=
^abyr#inth o$.-f all-mal^e f
antasies whose( outstanding beauties always end /u((p fading away while^ leavin,$*g the+[@ir@?-^ sens[ual protagonis" t >>&dea&ling with h:i[#s own [l)!#o% neliness, EQUATI$\ON wa*(s directed with supreme grace by the mys"]%#"te>*rious\=^ Dietrich= de Velsa (aka. Francis Savel/Frantz S[-]a*(>"lieri). .,A form%,er pain]ter, de V?&elsa was also the owner and artistic direc.tor' o"=,?f L/a G"rande -.Eugène, one of"*+ the )=.firs='t: d.",r;ag+ cabarets in Par<.is. Years l@!a#);ter, "*h)/e collaborated w*
ith Jose
ph Losey-` on MR. KLEIN ('19#76) and DON GIOVANNI (1@9\79). His one a'nd=;= only fi lm, EQUAT],-ION T[ +&O AN UNKNO .WN stands as(? ')o]' 'n??#_e(> o;#,f the .*.m@)/ost extraordi /^nary ! erotic= / fi?lm="s of= all "@time. &nb']\=s+p; &nbsp; &nbsp; &,&, _+;nbsp; &nbs:<-p; &nbsp; &nbsp; &nbsp; &nbs/.)p; &($/)nbsp; &nbs$< p!]; >_&nb)s)p; &nbsp; &nbsp; &nbsp;' &nb)sp; &nbs!p; &nbsp;
&nbsp; &nbsp+; &(+nbs/-p; &nbsp; &#*nbsp; &nb[@sp; &nb"sp; &nbsp; (,&nbsp;#[
 &n b]`sp; &nbsp; &nbsp; &nb_&$sp; &n+&*bsp; &nb>;_<sp; &nbsp-;“The most me
]!l% anchol$>ic por'n ;film I’\%]ve eve'"&r se?^en&. '#It’s &/ very sa(d(%, and aestheti
cally(" < beautiful. Just <a yo=u#n!/g man wandering through several depictions o%]f
] love]; and choreographi"_&_es of l#>ove-mak*:ing; "
$it,’s li^@k?#e a c^.eremon>y, a ceremo_ #<.n %y *\of!>'^ fantasies, esp,_"eciall: y the(: last ) s%@_equence where the main character ,recalls .\^all^ his> previous fan`tasies, which come one by o;"ne around his bed and mak@,e love to him. I t$/*h,ink: it’s one )of t@<he !(mo;.st be.autiful film seque@[nce"^s of French@ cin ema.”  &–Yann ' $Gonza(&lez